Raymond & Co., where he stayed until 1906. In 1899, Ives moved to employment with the insurance agency Charles H. Soon after he graduated from Yale in 1898, he started work in the actuarial department of the Mutual Life Insurance company of New York. Ives continued his work as a church organist until May 1902. 1 as his senior thesis under Parker's supervision. His works Calcium Light Night and Yale-Princeton Football Game show the influence of college and sports on Ives's composition. Murphy, his coach, once remarked that it was a "crying shame" that he spent so much time at music as otherwise he could have been a champion sprinter. He enjoyed sports at Yale and played on the varsity American football team. June 1898Īt Yale, Ives was a prominent figure he was a member of HeBoule, Delta Kappa Epsilon (Phi chapter) and Wolf's Head Society, and sat as chairman of the Ivy Committee. Ives' graduation portrait from Yale University, c. On November 4, 1894, his father died, a crushing blow to him, but to a large degree, he continued the musical experimentation he had begun with him. Here he composed in a choral style similar to his mentor, writing church music and even an 1896 campaign song for William McKinley. In September 1894, Ives entered Yale University, studying under Horatio Parker. Ives moved to New Haven, Connecticut in 1893, enrolling in the Hopkins School, where he captained the baseball team. Charles Ives, left, captain of the baseball team and pitcher for Hopkins Grammar School, aged 18 ( c. It is considered challenging even by modern concert organists, but he famously spoke of it as being "as much fun as playing baseball", a commentary on his own organ technique at that age. He became a church organist at the age of 14 and wrote various hymns and songs for church services, including his Variations on "America", which he wrote for a Fourth of July concert in Brewster, New York. It was from him that Ives also learned the music of Stephen Foster. His father taught him and his brother (Joseph) Moss Ives (Febru– Ap) music, teaching harmony and counterpoint and guided his first compositions George took an open-minded approach to theory, encouraging him to experiment in bitonal and polytonal harmonizations. Charles got his influences by sitting in the Danbury town square and listening to his father's marching band and other bands on other sides of the square simultaneously. George Ives directed bands, choirs, and orchestras, and taught music theory and a number of instruments. They were similarly active in progressive social movements of the last century, including the abolition of slavery. The Iveses were one of Danbury’s leading families, and they were prominent in business and civic improvement. Ives was born in Danbury, Connecticut, on October 20, 1874, the son of George (Edward) Ives (Aug– November 4, 1894), a US Army bandleader in the American Civil War, and his wife, Mary Elizabeth Ives (née Parmelee, Januor 1850 – January 25, 1929). Sources of Ives's tonal imagery included hymn tunes and traditional songs he also incorporated melodies of the town band at holiday parade, the fiddlers at Saturday night dances, patriotic songs, sentimental parlor ballads, and the melodies of Stephen Foster. Hence, he is often regarded as the leading American composer of art music of the 20th century. His experimentation foreshadowed many musical innovations that were later more widely adopted during the 20th century. He was also among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatory elements, and quarter tones. Later in life, the quality of his music was publicly recognized through the efforts of contemporaries like Henry Cowell and Lou Harrison, and he came to be regarded as an "American original". His music was largely ignored during his early career, and many of his works went unperformed for many years. Charles Edward Ives ( / aɪ v z/ October 20, 1874 – May 19, 1954) was an American modernist composer, one of the first American composers of international renown.
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